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Rzeczywisość dualistyczna rozproszona 2019, olej, karton, 65×50 cm.

Obraz wykonano na podstawie autentycznego zdarzenia zaistniałego w rzeczywistości. W zdarzeniu uczestniczą dwie formy plastyczne jako organizmy umieszczone w rzeczywistości otwartej, rozproszonej. Dualizm rzeczywistości podyktowany jest dwoma formami organicznymi, z których każda forma w inny sposób integruje się z otoczeniem, przez co każde oddziaływanie jest inne i co za tym idzie inne są formy plastyczne (część dolna obrazu 1 forma, część górna 2 forma)
Otoczenie form organicznych zgodne jest z oddziaływaniem rzeczywistym poszczególnych elementów rzeczywistości na narząd wzrokowy.
The painting was made on the basis of an actual event that occurred in reality. Two plastic forms participate in the event as organisms placed in the open, dispersed reality. The dualism of reality is dictated by two organic forms, each form in a different way integrating with the environment, by which each interaction is different and thus the other are plastic forms (lower part of image 1 form, upper part 2 form)
The environment of organic forms is consistent with the real impact of individual elements of reality on the visual organ.
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Looking at the name-day at E – explanation

Explanation of the painting “Looking at the name-day at E”, 2007.

 

A fragment of the image, the upper part, the middle.

 

The central part of the image, fragment.

 

Polish original text

The sketch was made directly during the observed event, in the presence of E. and Z. and other organisms, objects and things that caused an influence on the overall composition and shape of the image. The letters marked in the sketch are omitted as a result of shifting the resulting image. A series of events from the moment the image was created to the final effect caused changes that were carried out twice. During the creative process, Mr. P. was introduced as an observer, why? It seems that the outcome of the decision would be to experience the impact of external reality. The influences that often have accidental sensations on us have their effect in the creative process. The continuous flow of images leaves traces in consciousness, the effect of which are subsequent creative decisions. The resulting from the flowing images probably draws so-called. intuition, but not entirely. Your contribution to intuitive creation also has what has been in us for a long time, i.e. the genesis of our formation. The involvement of intuition is quite difficult to be traced in each created image is a percentage different, and it all depends on the awareness of the attitude of own “I” to draw from its decks. To sum up, the picture in general character is a direct record of reality, it should be emphasized here the word “direct”, because it is a rarely used form due to the circumstances in which we come to stay, the more so that in fact there are also other direct shareholders of the image and having an impact on ourselves.