In my paintings, I analyze my mental state, which elements of reality—organic and inorganic objects—produce artistic effects after being transformed by the mind.
Painting description: Behind the house, analysis 1
Placing my self as a realistic figure, which I experience as myself, for example, seen from behind or from any other perspective, is impossible due to the countless possibilities of capturing this figure as real. Therefore, this figure must be split into individual fragments, or plastic forms.
For example, 1—the form of the head, the mind transmitting impulses to the hands through reactions occurring within it, and 2—the hands holding the inorganic form are split into individual parts for reasons similar to the figure of my self described above.
The background and other fragments of the painting in the background represent the surroundings of the situation, perhaps with the exception of the shot of the fragment of pants 3 in gray, which belongs to the figure in the foreground.